The Female Gaze in Documentary Film – an International Perspective
Table of Contents
- Introduction
Part One
Women’s Documentary Practice, Theory and Histories
- Women and Documentary
- The ‘Female Gaze’
- Aesthetics and the Influence of Gender
- Feminisms, Feminist Theory and Documentary Practice
Part Two
Case Studies: Female Documentary Directors in Focus
- Documentary as Artform: Pirjo Honkasalo’s Cinematic Poetics
- Transnational Feminism in the Cinema of Kim Longinotto
- Nishtha Jain: An Auto-ethnographic and a Postcolonial Feminist Gaze
- Marie Mandy: Female Subjectivity and Aesthetics
- A View from the Margins: The Films of Nancy D Kates
- Gillian Armstrong: The Line Between Fact and Fiction
- Conclusion: Rendering Female Reality
Glossary
Film Index
Name Index
Subject Index